Products

Citrus Turpentine double distilled for artists’ use. This turpentine is made from orange zest and has an orange aroma. A pleasant smelling alterna...

A traditional gloss final varnish for oil and alkyd paintings. It is also used in makingsome painting mediums. Remove carefully with Gum Turpentin...

As with the Art Spectrum® Reduced Odour Lean Medium, this is made with Art Spectrum Fat Medium. A solvent rather than the traditional Gum Turpentin...

Art Spectrum Gloss Varnish is a high gloss, non-yellowing acrylic varnish. Remove carefully with a small number of methylated spirits on a lint-fr...

A very low odour alternative to the ‘traditional’ Art Spectrum® Medium No.1, with similar properties and applications. The difference is that Art S...

A rubber latex solution that is painted over any dry area you wish to keep free of colour. Allow the masking fluid to dry before over-painting. Pe...

The leanest medium. Ready to use straight from the container. Dries overnight, depending on climate and thickness of paint application. Often an ex...

A medium fat. It is slower drying than Art Spectrum® Medium No. 1, as it contains more oil, and used as the next fattest medium in the sequence of ...

The fattest medium. Art Spectrum® Medium No. 3 is a thicker, more slow-drying medium than Art Spectrum® Paint Medium No. 2. It is for painters who ...

A quick-drying, transparent, painting and glazing medium. Art Spectrum No.4 Medium Liquol is an alkyd medium and is extremely popular because of it...

Odourless Solvent is a low odour alternative to Art Spectrum® Artists’ Turpentine forpeople sensitive to turpentine fumes. Due to Dangerous goods...

Pure Gum Turpentine is a natural, double distilled solvent for oil painting. Used in mostpainting mediums. Due to dangerous goods regulations th...

A temporary picture varnish. A thin coat restores luminosity to dull areas to aid colourmatching. Sealer for painting grounds if the surface is to...

Archival fast evaporating solvent feels the same as regular odourless solvents, however, it evaporates quickly in comparison and drives fast than ...

The healthier alternative! Archival Odourless Mediums and Solvents evaporate much more slowly than turpentines, resulting in a minimum of vapour d...

Economical all purpose solvent. Ideal for cleaning brushes as it has a strong detergent action. Has a distinctive petroleum smell. Over-use will m...

Incredibly Langridge Calcium Driers for adding to oil colours for extra ‘body’ without altering colour with which it’s mixed. Slightly thixotropic...

Siccative made with cobalt octoate. Langridge Cobalt Driers acts as a surface drier for all oil colours and mediums. Use sparingly as its overuse ...

Langridge Cold Pressed Linseed Oil used as a traditional binder for grinding oil colours. When used to mill oil colours or mixed with prepared col...

Langridge Cold Pressed Safflower Oil preferred for preparing delicate colours, particularly whites and blues where the yellowing of linseed oil is...

Cold-pressed walnut oil is filtered with no additional treatment. It yellows less than linseed oil. It is closer in drying time to poppy oil than ...

Used both as a final varnish and as a constituent of artists’ oil and egg tempera mediums.Dries hard and clear. Highest quality resin clarified be...

Natural diluent and solvent for oil colours and varnishes. Distilled from the resin of tapped Gum Thus Pine. Unlike petroleum distillate based sol...

Added to oil colours to increase flow. Very pale and non-yellowing Safflower oil based medium. Keeps a ‘slippery’ and wet quality to paint, allowi...

A Langridge Glaze Medium that gives oil colours increased translucency. Perfect for the creation of optical depth and soft suffusions of colour. U...

Langridge Isolating Medium is a non-reversible, oil-based medium formulated to even-out the reflective finish of the painting prior to varnishing....

Langridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Perfect for wet on wet techniq...

Completely odourless iso-paraffinic solvent. Permissible exposure Level is at least 3 times higher than alternative traditional solvents. Ideal tu...

Langridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Improves paint handling for th...

A matte version of Langridge Matte Medium for adding fluidity and improve paint handling. It quickly dries to a tack but remains fresh so that it ...

Solvent for shellac and other alcohol soluble resins.Solvent for Spirit Dyes. 100% grade is completely water free thus reducing risks of blooming ...

Free-flowing medium for oils that improves paint handling. Quickly dries to a tack but remains fresh so that it may still be painted into. Perfect...

Highest quality Langridge Refined Linseed Oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality ...

Langridge Refined Safflower Oil with a minimal tendency to yellow. High linoleic acid value for good drying rate compared to cold-pressed varietie...

Langridge's line of mediums have been formulated for the widest range of contemporary applications. Selected and manufactured to excel in both han...

This is the lowest toxicity art solvent available, recommended for a safer studio environment. Solvent 75 is constructed from 100% pure, highly re...

Langridge Stand Oil is a non-yellowing oil for use in all oil mediums.Thick and honey-like oil, it will give enamel-like qualities to paint. Langr...

Langridge Underpainting Medium to be used for the ‘first-sketch’ in painting. Low oil content for rapid drying, minimising chances of cracking whe...

For oil and acrylic painting. Apply with a clean cloth and polish to desired finish. Dries naturally to a matt reflection but may be buffed to a s...

Blending Medium is an R&F Pigment Stick without the pigment. It’s specially designed for blending edges, heightening transparency, and glazing ...